TSANTSA is the journal of the Swiss Anthropological Association SAA. It publishes ethnographically and theoretically grounded contributions on current issues and debates in social anthropology. As a tri-lingual journal with articles in English, French, and German, it seeks to strengthen the dialogue between different theoretical strands and scholarly traditions. TSANTSA’s wide thematic scope encourages conversations across the discipline and between the various subfields of social and cultural anthropology.

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Announcements

TSANTSA Becomes SJSCA and a New Editorial Team Takes Over

2021-12-04

With the issue 27(2)/ 2022 (autumn issue), the journal of the Swiss Anthropological Association SAA changes its name from TSANTSA to SJSCA – Swiss Journal of Sociocultural Anthropology/ RSASC – Revue Suisse d’Anthropologie Sociale et Culturelle/ Schweizerische Zeitschrift für Sozial- und Kulturanthropologie. Even before this name change takes place, Matthieu Bolay, Filipe Calvão, and Joana Menet take over as coordinating editors from Laura Affolter, David Loher, and Isabelle Zinn, who leave the journal in February 2022.

Read more about TSANTSA Becomes SJSCA and a New Editorial Team Takes Over

Current Issue

Vol. 26 (2021): Dis/connection Matters: Natural, Synthetic, Digital
View Vol. 26 (2021): Dis/connection Matters: Natural, Synthetic, Digital

The world is experiencing new relations between natural, synthetic, and digital substances. Rather than considering these as materially distinct or ontologically separate, this special issue of TSANTSA interrogates how they are interlocked in socio-material processes of mediation, transmutation, and valuation. By conceptualizing the specificity of their separateness, the special issue makes possible the comparison and commensuration of their relationship, and to move beyond their essential qualities. What are the boundaries, leakages, or dis/connections between human and digital, natural and artificial, the organic and synthetic matters? Based on ethnographic research in laboratories, gold refineries, bio-tech microbial seeds and digitally-produced natural sounds, human-machine apps and cellular agriculture, each contribution theorizes the mediation, transmutation, and valuation of natural synthetics, the humanness of artificial intelligence, or the materiality of digital elements.

Guest editors: Filipe Calvão, Matthieu Bolay, and Lindsay Bell

Published: 2021-06-30

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