Metaphor as Sea Creature Naming Strategy in Akan

: e paper discusses the role of metaphor in the name construction of sea creatures among Akan (Mfantse) people within the purview of onomasiology. e role of metaphor in the naming of sea creatures has been understudied. is paper is a step towards ﬁlling the gap by analyzing the role metaphor plays in constructing naming units for sea creatures. is study has a qualitative research design. Twelve (12) ﬁshers were purposely sampled, three (3) each from four ﬁshing towns: Anomabo, Apam, Sekondi (Sekunde) and Moree (Mowure). e data collection tool was a semi-structured interview. e paper ﬁnds that likeness between sea creatures and static and/or dynamic entities triggers names for sea creatures. It concludes that, metaphor is employed to achieve simpler forms for salient features, communicate non-codable salient features and condense multiple features in the quest to name sea creatures among the Mfantse people. rough these vital roles, a general metaphor SEA CREATURES ARE LAND ANIMALS/ENTITIES is realized. e encyclopedic knowledge, which the Mfantse people have about their environment is realized through their naming strategies. It is recommended that the linguistics of naming percepts in indigenous Akan occupations be explored further.


Introduction
Image, behavioural and functional similarities between sea creatures and static and dynamic entities trigger fish names like hawkfish (Cirrhitidae), garden eel (Heterocongridae), Anglerfish (Lophius) and boxer crab (Lybia tessellate) among English speakers say (Ureña/Faber 2010).Similarly, image, behavioural and functional similarities between sea creatures and entities in the environment trigger naming units for sea creatures among Akan (Mfantse) speakers.We can therefore say that, metaphor is instrumental in the naming of sea creatures.
e study of names has attracted the attention of scholars in anthropology and linguistics.Among them are Sarpong (1974), Obeng (1998), Agyekum (2006) and Sekyi-Baidoo (2019) who suggest that names are more than just arbitrary representations of entities among a given people.ey prove that the Akan people give names to entities as a means of differentiating, recognizing and knowing the said entities.Hence, Akan names give insight into Akan culture, philosophy, thought, environment, religion and language.e naming of sea creatures is not an exception to this assertion.Creatures in the sea are named for differentiation, recognition and identification.Some of the sea creature names are grounded on features of entities in the environment.
Wijana (2018) attempts to analyze the use of metaphor for constructing animal names in Indonesian.It was discovered that in animal naming among Indonesians, the source domains exist in their environment.Wonkyi (2021) attempts to analyze the role metaphor plays in the naming of percepts and parts of percepts ranging from farm produce to household tools and machines among the Mfantse people.But, for the most part, studies on naming are silent on the role metaphor plays in the naming of dynamic and mobile entities like fishes among the Mfantse people.is study is a step towards filling that gap.It aims to show that, among the Mfantse people, metaphor is instrumental in constructing naming units for sea creatures.Consequently, this paper studies how, by using metaphor, Mfantse people map sea creatures to static and dynamic entities.It also examine how Mfantse people use metaphor as a strategy to economize the expressions used to name the sea creatures.
In section 1.1 we discuss the Mfantse dialect as one of the dialects under the Akan language.We provide a theoretical basis for the approach to metaphor in fish naming in section 1.2.e strategy used in data collection and the research design used in the study are discussed in section 1.3.e role metaphor plays in naming sea creatures among the Mfantse people is discussed in section 2. Finally, conclusions on why metaphor are employed in the naming of sea creatures and some recommendations are discussed in Section 3.

e Akan Language and dialects
As a linguistic entity, Akan refers to a congregation of dialects or languages in Ghana and neighbouring Cote d'Ivoire in West Africa, which have a remarkable degree of mutual intelligibility or which share a great deal of phonological, lexical and grammatical features.It can be seen as constituting a single language (currently); or which could be said to have shared a common origin, referred to, in linguistics circles, as Proto-Akan.
(Sekyi-Baidoo 2019: 27) e Akan language has dialects that include Agona, Akuapem, Akwamu, Akyem, Asante, Assin, Bono, Buem, Denkyira, Fante, Kwahu, Twifo and Wasa, Agyekum (2010).Sekyi-Baidoo (2019) adds Breman to the various dialects of Akan.All the languages spoken by the ethnographic Akans are genetically related to the Akan language (cf.Agyekum 2012).e Akans are the largest ethnic group in Ghana.is study is based on the Mfantse dialect of Akan.In this study, the term Mfantse has been used in place of Fante for the reason that the speakers of this dialect refer to themselves as "Mfantsefo" and the dialect, Mfantse as also suggested by Abakah (1998Abakah ( , 2013)).
Mfantsefo or the Mfantse people occupy the southern part of Ghana, bounded on the south by the Gulf of Guinea, on the east by the Ga, on the west by the Ahanta, and on the north by the Wasa, Denkyira, Assin, and Akyem.
[…] the Mfantse linguistic community includes Oguaa, Nkusukum, Abora, Ekumfi, Enyan, Gomua, Asebu, Kwamankεse, Komenda, Edina, Abrem, Sekondi-Takoradi metropolis, and their satellite towns and villages.(Abakah 1998: 95) e Akans are predominantly farmers.ey practice fish farming and crop farming specifically.Like other cultures, Akan (Mfantse) people consider names as markers of cultural identities and they communicate how they understand the environment in which they live.e names of sea creatures in this paper confirm this assertion.

Literature Review and eoretical Issues
Studies have discussed fish names in various languages.Helfman/Randall (1973), for instance, looked at fish names in the Palauan language.ey compared the similarities among Palauan, Yapese and Guamanian fishes and found that different names exist for fishes at different life stages and the sexes.Elameto (1975) compiled the names of Carolinian regular fishes in Saipan, Mariana Islands.Barnett (1978) collected fish names in the pacific languages.He included fish description and illustrations, and found out that the fishes are named based on many things, including how they hunt, how they eat, their colour and how they socialize with one another, among others.Berkes/Mackenzie (1978) also looked at the composition of Cree fish names that are used among the communities of eastern James Bay. ey aimed to help identify species of fish precisely and access the position/place of Cree fishes in western science.
Concerning sea creatures in Africa, Dobson (2004) worked on the distribution of freshwater crabs in Africa.It was discovered that freshwater crabs are similar to their marine counterparts.Also, freshwater crabs are classified based on their size.Kwei/Ofori-Adu (2005) looked at the features and life of various fishes found in the coastal seas in Ghana.Fish names in local languages such as Ga, Ewe, Nzema and Mfantse were considered and discussed.It was discovered that the names of fishes in the mentioned languages are based on static and dynamic features of the said fishes.e present study adds to the literature on sea creatures in languages of the world.
In this study, we examine how Mfantse people construct names for sea creatures through a semasiological approach.We analyze the factors that come to play as Mfantse people construct naming units for sea creatures.We further examine why metaphor grounded in the folk knowledge of their environment is needed in the naming of sea creatures.us, onomasiology propounded by (Štekauer 1998;Grzega 2007;Kos 2019) and image metaphor by (Lakoff 1993;Grady 1997Grady , 1999;;Ureña/Faber 2010) are employed in this study.e onomasiology approach discusses factors that come up in the naming of natural organisms based on their folk knowledge of their environment while image metaphor explicates the kind of metaphor employed in the name construction for sea creatures as basic naming strategies.
e study is cast in the onomasiological model (Štekauer 1998;Grzega 2007).Originally, this model was considered as a model that fully accounts for the names of natural entities from the name coiners' point of view.It will serve as a background to discuss metaphor in the naming of percepts in the sea among the Mfantse people.
e model had its shortcomings in relation to names that are grounded on metaphoric mappings so Kos (2019) applied the model to wordformation to expanded it further.rough this means, Kos suggests that the model should cover metaphor in name coinage since it is a vital tool in naming living organisms.It helps to economize naming units by remedying ineffable salient features and long descriptive names of salient features of referents.It also helps in condensing multiple features into simple naming units.In analyzing fish names we apply the constructs of this theory to prove that metaphor is vital in the construction of names for sea creatures among the Mfantse people.
According to Lakoff/Johnson (1980: 5) "e essence of metaphor is understanding and experiencing one kind of thing in terms of another".Agyekum (2010) adds that a metaphor is saying X is Y while in actual sense X is not Y.In naming some sea creatures, the Mfantse people say a sea creature (X) is equal to static and dynamic entities (Y) while in actual sense the sea creature (X) in question is not the entities (Y) which they are mapped onto.
In the words of Lakoff (1993: 280) "Image metaphors are 'one-shot' metaphors: it maps only one image onto another image.ey map one conventional mental image onto another."As for example, abεtsir (lit.'palm head') 'palm fruit head', we observe that the entities that are compared are abε 'palm fruit' and tsir 'head' which contrast in actual sense but are visually similar Wonkyi (2021).For the purposes of naming, the image of a sea creature is mapped onto the image of an entity found in the environment.is is done based on the perceived resemblance between the images of the two entities being mapped.Here, the sea creatures, which map onto other entities, are target domains while the entities the fishes are mapped onto are the source domains.
Ureña/Faber (2010), Grady (1997Grady ( , 1999)), Lakoff (1993), and Lakoff/ Turner (1989) are of the same view that, image metaphor compares the images of two percepts.However, contrary to Lakoff's suggestion that image metaphor stems from visual perception, Ureña/Faber (2010) and Grady (1999) propose that image metaphor should encompass all metaphors triggered by sensory perception and that they are based on both image and behavioural/functional mapping respectively.e Mfantse people map the images of sea creatures onto the images of other entities based on visual, auditory, tactile, gustatory and olfactory perceptions they have when they are exposed to both underlying entities in question (Ureña/Faber 2010).
is approach is a cognitive linguistic approach.us, it is centred on experiential reality.We solely consider the folk theory of what the sea creatures named are when we turn our attention to the metaphor that communicates them.We do not dwell on any scientific expert's ideas with respect to the sea creatures in question.

Methodology
is paper has a qualitative research design.is research design was chosen because it is a kind of research that allows for interaction between interviewer and interviewees.e study comprised twelve (12) fisherfolk purposely sampled, three (3) each from Anomabo, Apam (Apaa), Sekondi (Sekunde), and Moree (Mowure) in the Central Region of Ghana.ese communities are selected because of the language they speak (Mfantse) and the occupation that dominates their communities (fishing).ree fisherfolk were chosen from each of the study communities in order to cross-check to see how uniform the data collected would be since sometimes the names of various fishes differ based on geographical location.e interviewees comprised six (6) elderly males and six (6) elderly females.All informants have had at least 20years of experience in the buying and selling of fishes.ey were as well 50 years and above.e 6:6 ratio is because the occupation under investigation is dominated by both male and female fisherfolk.ese brackets of people were chosen because they know the etymology of the fish names and the factors that underpin their construction based on how the Mfantse people perceive and understand percepts in their environment and the fishes in question.
e method used to collect the data was a semi-structured interview.e fisherfolk were interviewed in a focus group from one community to another.In the interview, questions that need clarification were explained, and questions could be reframed for better understanding of the concepts.In the focus group discussion, the group was shown pictures of fishes and then allowed to tell their names.e interviews were audiorecorded.A book on fishes found along the coast of Ghana by Kwei/ Ofori-Adu (2005) was consulted.Some fish names were taken from the book and some data collected were crosschecked with the book.Data were recorded, transcribed and analyzed by categorization and coding.
2 Motivations for the use of metaphor in sea-creature naming In the following sections, we discuss why the Mfantse people employ metaphor in the naming of sea creatures.e naming process of sea creatures is similar to the naming of living beings in languages like English, where salient features play an important role in the naming process.Mostly, several salient features that are considered in the naming of sea creatures are too long to be expressed literally.Some also cannot be expressed in literal expression.e use of metaphor helps in naming such sea creatures with a greater economy of expression.In simpler terms, metaphor in sea creature naming helps the Mfantse people to come up with a simpler form for salient features, overcome non-codability of features and condense multiple local features into one form.

Remedying non-codability of salient features
In the naming of some sea creatures, the Mfantse people encounter some salient features that are not codable in Akan.ese features resist literal description totally.It is arguable for example that, in Akan, coding specific experiences of taste and feel is not possible.For instance, a turning pain in the stomach of an Akan man may be described as me yamu rubu fa do, literally meaning 'my stomach has a sea tide in it'.Levinson/Majid (2014) and Kos (2019) talk about how different linguistic codability (a literal expression) is from an indirect conveyability (a metaphoric expression).ey suggest that, indirect conveyability is employed when linguistic codability fails.SHAPE is a feature that resists linguistic codability in Akan.
Geometric terms like line, curve, angle, square, oval, triangle, rectangle, hexagon, and rhombuses do not have exact lexical equivalences in Akan.is must not be construed that the Akan do not conceptualize shapes.ey have their own ways and means of looking at them.(Agyekum 2003: 61) Wonkyi ( 2021) proves Agyekum's (2003) point further by discussing how the conceptualization of geometric features play a vital role in the naming of parts of percepts and percepts as a whole.It was realized that flowering and germination buds were named based on their geometric features among the Mfantse people.is proves that in Akan, shapes are expressed with descriptive terms and, sometimes, concrete entities that are similar to them in shape (i.e. metaphor).A similar strategy of naming via geometric feature is noted in fish naming.SHAPE is a salient feature that triggers names for some sea creatures.In Table 1 are varied names for sea creatures triggered by the feature SHAPE.

Table 1 Fish names triggered by SHAPE features
We note that the salient feature SHAPE triggers names in examples (1-4).e names are grounded in metaphoric mapping.ese metaphors build on a one-onto-one image mapping between the fishes and the underlying entities that they allude to.Specifically, the shape of entities like snake, penis, eye and vulture's occiput serves as grounding for the naming of pipefish, sea lizard, six-spot sole and African moonfish.
Here, we observe that, the form of one domain is mapped onto the form of another domain.e domains mapped are basic images.Considering the assertions put forward, prototypically, image metaphors are conceived based on the resemblance in shape, and colour (Lakoff 1993).is metaphor is based on what is perceived visually.is kind of perception is the presiding component of embodied conceptualization system (Watt 1991).As illustrated in Figure 1, the source and target percepts share the highest degree of mental imagery.It is clear in Figure 1 that examples (1) and (2) map onto the silhouettes of a whole snake and a whole penis whereas in examples (3) and (4), it is only the shapes of spots on the back of a sole and the occiput of an African moonfish maps onto the eyes and the vulture's occiput.ose are the salient features at the perceptual level.Examples (3) and ( 4) are examples of a PART FOR WHOLE metaphor.is is a matter of the naming strategy at the onomasiological level.
SHAPE is not linguistically codable in Akan, thus, to name the fishes in question according to their SHAPE, the Mfantse people employ metaphor.Describing the SHAPE literally to name the fishes in question can be employed but the suitable length of a naming unit for such fishes will be violated.e descriptive names may be too long.us, to make up for the non-codability of SHAPE, metaphor is employed to achieve an economical expression.
Specifically, the images of po#w# (lit.'sea snake') 'pipe fish' and k#tsek#tse (lit 'penis penis') 'sea lizard' are mapped onto the images of snake and penis via their cylindrical shapes whilst the circular and semicircular shapes of parts of enyiwaesia (lit.'six eyes') 'six-spot sole' and pεtεetsik#r (lit.'vulture's occiput') 'African moonfish' trigger the mapping between the said fishes and the eye and the occiput of the vulture.
Furthermore, Levinson/Majid (2014) state that there is arguably no possibility of literal expression of the sense of TASTE and SMELL in English.Kos (2019) exemplifies this assertion by sighting "miller" a kind of mushroom that smells like flour and "oyster plant", a plant which leaves a taste of oyster in the mouth as evidence to the claim.English and Akan are similar in this regard.Specific qualities of smell and taste are not lexically codable in Akan.erefore, metaphor is employed to name fishes that are triggered by the salient FEEL.is is seen in Table 2.

Table 2
Fish names triggered by salient features e names in ( 5) and ( 6) are triggered by how the fishes in question may feel once they are touched.e smooth pufferfish feels very slippery in the hand and on the skin once they are felt whereas the torpedo ray sends electrical currents through the body once it is touched.Event images of touching the fishes in question and feeling their slippery nature and getting shocked are created to conduct the mapping between the smooth puffer fish and torpedo ray (target percepts) to silk and electricity (source percepts) respectively.Here, a metaphor does not only help to achieve economical expression.Since the specific sense of FEEL is not codable in Mfantse, the use of metaphor is the only way the Mfantse people can communicate it.

Achieving a simpler form for salient features
Aside from helping to find remedy for non-codable constituents in the naming of fishes among the Mfantse people, metaphor helps to achieve simpler forms for salient features that may require a multi-word literal description.Some fishes are named based on their most salient features.Let us consider the names of fishes in Table 3.

Table 3
Fish names triggered by salient features e names in examples (7-12) are names of fishes triggered by different salient features.ese features identify the fishes and set them apart from their kinds.In example ( 7), the rough triggerfish (canthidermis maculatus) is known to have shiny spots on its body.e spots make its skin glitter.Sika, 'money', can be extended to mean gold or silver in this sense.e glittering feature of gold and silver trigger the name of the fish in question.us, under the salient feature GLITTER, the image of the rough triggerfish is mapped onto the image of sika 'money' among the Mfantse people to name it.
In example ( 8), the most salient feature of a spiny pufferfish is its SPINY SKIN.us, the name the Mfantse people call it is pok#t#k# (i.e. 'sea porcupine').is name is metaphoric because the image of a spiny pufferfish in the sea is likened to the image of the porcupine on land.Here, there is a one-to-one image mapping between the porcupine and the spiny pufferfish.Mfantse people conceptualize the spiny puffer in the image of a porcupine because the spiny pufferfish has its skin covered with large and strong protective spines like those of a porcupine.
In example (9) poap#nkye ('red mullet/goatfish') has a goat-like head with two slender barbels on the chin.e barbels of the red mullet map onto the tassel or toggles found on the chin and neck of a goat respectively.e salient feature here is the GOAT-LIKE HEAD and the BARBELS.e source (a goat) and target (goatfish) percepts share the most potent level of mental imagery (i.e. visual perception).
In example (10), the metaphor poegyinambowa 'common tiger shark' brings to mind an easily recoverable image that stems from visual perception.is metaphor evokes the dynamic event image of a common tiger fish (nocturnal) hunting for prey in the sea at night.is event image maps onto the image of a cat (also nocturnal) hunting for prey at night.Cats hunt better and are active at night because they have good night vision which helps them ambush their prey.In the same way, common tiger sharks have very good night visions thus they hunt at night.is metaphor, an event image is perceived not just as a conventional image onto another conventional image mapping.e salient feature here is NIGHT HUNTING.
In example (11), we encounter the metaphor posemina 'milk/blue shark' triggered by the salient feature LATHER.In an actual sense, the milk/blue shark has no likeness to a soap.When the shark is being prepared for food, it lathers like a soap.e metaphor taps into a richly contoured and easily retrievable mental event image for both the soap and the fish.e basic level grounding, into which speakers of Mfantse tap has rich mental images and rich knowledge structure known to the speakers (cf.Lakoff 1993: 212; Ureña/Faber 2010: 128).
In example ( 12), there is a perceived resemblance between the source image (bird) and the target image (sharp-chin flying fish) concerning a specific salient feature: WINGS.e sharpchin flying fish grows enlarged pectoral fins.ese pectoral fins serve as organs of flight just like the wings of a bird.ese fishes use their pectoral fins to fly away from potential predators in the sea.So, in the literal sense, the sharp-chin flying fish flies with its pectoral fins and the bird also flies with its wings.erefore, the name poanoma 'sea bird' is realized.
Finding a literal expression to name fishes in examples (7-12) based on their respective salient features WING, LATHER, NIGHT HUNTING, GOAT-LIKE HEAD and BARBELS, SPINY SKIN and GLITTER may be uneconomical for naming purposes.e Mfantse people thus rely on metaphor to capture the complex salient features and confine themselves into simple naming units as seen in Table 3.

Condensing multiple local features
In the naming of some sea creatures, the Mfantse people consider many local features.At the perceptual level, they map the more than one features considered on the sea creatures onto another percept which has those features considered.Examples are the Mfantse names for toadfish, sea turtle and sea snail seen in Table 4.

Table 4 Sea creature names triggered by multiple features
In examples (13-15), we consider the names poatwεr .lit.'sea frog') 'toadfish', poakyekyerε (lit.'sea tortoise') 'turtle', ponwaba (lit.'sea snail') 'sea snail' respectively.Multiple features of a frog, tortoise and snail are considered in naming the fishes in examples (13-15).e name comes about as a result of image resemblance between the underlying entities in the metaphors cited.Let us consider the metaphoric mapping between a frog and a toadfish in Table 5.
Table 5 e metaphoric mapping between a frog and a toadfish Table 5 shows multiple local features considered when naming the toadfish in Mfantse.Specifically, the frog-like head and wide lips of the toadfish trigger a perceived resemblance between it and a frog.e image of a toadfish is mapped onto the image of a frog under some features.erefore, the metaphorical mapping is image or resemblance based.e term poatwεr (lit.'sea frog') 'toad fish' basically says that the fish in question is carved in the likeness of a frog.is metaphoric name falls in the domain of image metaphors because there is a one onto one image mapping between the frog and the toadfish.Let us consider in Table 6, the metaphoric mapping between the sea turtle and a tortoise.

Table 6 e metaphoric mapping between a turtle and a tortoise
It is noted from Table 6 that some local features are perceived to name the sea turtle.is metaphor is based on the resemblance in shape and/ or colour between the sea turtle and the tortoise on land.Also, both underlying creatures have shells, tails, and legs (hind and fore).So, in the eyes of the Mfantse people, the sea turtle is a tortoise in the sea because it looks like one.In an actual sense, both creatures look alike but they are different.e structure of one domain (sea turtle) is mapped onto the structure of another domain (tortoise).Let us consider in Table 7, the metaphoric mapping between a snail and a sea snail.
Table 7 e metaphoric mapping between a snail and a sea snail Here, the image metaphor is based on the likeness between the conventional images of two entities.A clear instance of image metaphors is the sea snail, which refers to a sea creature that has the likeness of a snail on land.e metaphor seen in this context is grounded on visual perception, a core part of the embodied conceptualization system (cf.Watt 1991).is metaphor is grounded in a high level of mental imagery that is shared by the source (a snail) and the target (sea snail) percepts.By employing metaphor atwεr 'frog', akyekyerε 'tortoise' and nwaba 'snail', the Mfantse people express multiple local features with less linguistic items to name the toadfish, sea turtle and sea snail respectively.

Conclusion
We have analyzed the role metaphor plays in constructing naming units for sea creatures among the Mfantse people.Semasiologically, the static or event image of sea creatures are mapped onto the static or event image of basic creatures or objects among the Mfantse people to name them.Metaphor is employed to remedy specific geometric and tactile features that are not linguistically codable in Akan.Sea creature names like po#w# 'pipe fish' and polatreke 'torpedo ray' come to mind.It also remedies salient features of sea creatures that will require a multiword expression to achieve simpler naming units.Sea creature names like pok#t#k# 'spiny puffer', poanoma 'sharp-chin flying fish' come to mind.It also helps to condense multiple local features into simple naming units.e names poakyekyerε 'sea turtle' and ponwaba 'sea snail' are noted.ese metaphors are understood to be triggered by the salient features of the various source domains (entities the sea creatures are named aer) and the target domains (the sea creatures).
ese naming strategies help the Mfantse people to be economic in constructing naming units for sea creatures.Looking at these specific metaphors we may conclude on a general metaphor: SEA CREATURES ARE LAND ANIMALS/ENTITIES.is study goes a long way to prove the old saying among the Mfantse people that, Abowa biara a #w# asaase yi do ne saso w# pomu, (literally meaning, 'Every creature on earth has its likeness in the sea' is a fact.It is recommended that the sociolinguistics and the morphosyntactic analysis of Mfantse fish names be explored in future research.

Notes 1
According to Agyekum (2010), the Akan have ways through which they communicate unspeakables in their culture.Among the countless unspeakables is the genitals.Here, we see that the fish is alluded to an unspeakable among the Mfantse people k#tse 'male genital'.ey therefore use the names panyinemmbisa (lit.'elder does not ask') meaning 'its name is not new to adults', banyinbanyin (lit.'male male') 'male like' as substitute names for the fish in question.However, some Mfantse people also call this fish suo wo k#tse k#n mu (lit.'hold the neck of your male organ'). 2 Some Mfantse people call the six-spot sole and its various spicies futufutu (lit.'luxuriant') a description of how the scales look on the skin of the sole.

3
All images in this article are used by permission from the following sources: Sharon Antwi-Baah: (1) #w# 'snake', po#w# 'pipe fish' (2) k#tse 'penis', k#tsek#tse 'sea lizard' (3) enyiwa esia 'six-spot sole', pεtε etsik#r 'vulture's occiput' and pεtεetsik#r 'African moonfish'.Questmedia: (3) enyiwa 'eye'.4 Serekye is an Akan loan word with an English source, the English word is 'silk'.5 Latreke is an Akan loan word with an English source, the English word is 'electric'.6 In some parts of the Mfantse towns, the smooth puffer fish is called #kaakor lit.'bites once' because of it sharp teeth.e name is as a result of its ability to use its sharp teeth to destroy nets at the least chance it gets.us, it is normally captured with hook and line.Ewura Efuwa is a personal name made up of two forms Ewura 'mistress' and Efuwa 'a Friday born' (cf.Sakyi-Baodoo 2019).Association by source plus the metaphoric feature sika 'money' trigger the name of the rough trigger fish.
PDF generado a partir de XML-JATS4R por Redalyc Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto 155 7 In some parts of the coastal areas, specifically among the Kormantse people, this fish is called buanda.8 e alternative form for sea turtle puhuruw has two forms; po 'sea' and ewur 'tortoise' based on the etymology of the word.e resulting form is written and mentioned puhuruw as a result of vowel harmony and rapid speech among the Mfantse people.9 Some dialects call this sea creature podenkye lit.'sea waist dislocation'.Denkye is a spinal defect that is a resultant from isistent bending in a given line of work.It normally affects farmers.Some contemporary fishers also refer to the same creature as pokonko 'sea can'.Konko refers to a can with reference to the shell of the sea snail.

Figure 1
Figure 1 Metaphorical mappings in the names of fishes expressing SHAPE 3