Vol. 20 No. 1 (2021): Musics/ Music Makers/ Musicologists' Transhumance

Articles

• Introduction

  Giovanni Giuriati, Marco Lutzu, Ignazio Macchiarella

  1-5

  • pdf

• “I go. I return. I am confused”: Reflections on Armenian Music Ideas in Multi-sited Research

  Ortensia Giovannini

  6-22

  • pdf

• Choir transhumance in the Filipino Catholic community in Rome

  Serena Facci, Grazia Tuzi

  23-38

  • pdf

• Migration of People and Melodies in the Taiga Area of Southern Siberia

  Galina Sychenko

  39-62

  • pdf

• Franceschino Back Home

  Paolo Bravi, Salvatore Carboni

  63-80

  • pdf

• 'While Shepherds Watched their Flocks by Night': A Paradigm of English Village Carolling for Three Centuries

  Ian Russell

  81-104

  • pdf

• Migration of Song Genres: Two Typical Lithuanian Cases

  Rytis Ambrazevičius

  105-132

  • pdf

• How Do We Go About Singing a New Song About Migration?

  Fulvia Caruso

  133-151

  • pdf

• Discovering Italian Free Metal Reeds: A Fieldwork Enquiry

  Raffaele Pinelli

  152-172

  • pdf

• Pulled by God: Sound and Altered State of Consciousness in the Hälqä-Sohbät Ritual of Uyghur Sufis

  Qian Mu

  173-195

  • pdf

• Brass band music in Naples between the ritual dimension and innovation: the case-study of Madonna dell’Arco’s divisioni musicali

  Claudio Rizzoni

  196-217

  • pdf

• Terminal Archive? Taking and Returning Sound recordings: Two Examples from the Vienna Phonogrammarchiv

  Gerda Lechleitner

  218-228

  • pdf

• An Andean Musical Structure That Defies Borders

  Enrique Camara de Landa

  229-242

  • pdf

• The Interrelations of Genre in Traditional Cambodian Music and Theatre

  Francesca Billeri

  243-268

  • pdf

• Sikh Religious Music in a Migrating Context: The Role of Media

  Thea Tiramani

  269-290

  • pdf