Vol. 11 No. 2 (2018): Special Thematic Issue „Music and Eye Tracking“

Special Thematic Issue "Music and Eye Tracking"

• The application of eye-tracking in music research

  Lauren K. Fink, Elke B. Lange, Rudolf Groner

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• Eye on Music Reading: A Methodological Review of Studies from 1994 to 2017

  Marjaana Puurtinen

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• Early attraction in temporally controlled sight reading of music

  Erkki Huovinen, Anna-Kaisa Ylitalo, Marjaana Puurtinen

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• Cross-modal music integration in expert memory: Evidence from eye movements

  Véronique Drai-Zerbib, Thierry Baccino

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• Synchronizing eye tracking and optical motion capture: How to bring them together

  Birgitta Burger, Anna Puupponen, Tommi Jantunen

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• Gazing at the partner in musical trios: a mobile eye-tracking study

  Sarah Vandemoortele, Kurt Feyaerts, Mark Reybrouck, Geert De Bièvre, Geert Brône, Thomas De Baets

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• Eye-hand synchronisation in xylophone performance: Two case-studies with african and western percussionists

  Fabrice Marandola

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• Eye movements in scene perception while listening to slow and fast music

  Marek Franěk, Denis Šefara, Jan Petružálek, Roman Mlejnek, Leon Van Noorden

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• The rhythm of cognition – Effects of an auditory beat on oculomotor control in reading and sequential scanning

  Elke B. Lange, Aleksandra Pieczykolan, Hans A. Trukenbrod, Lynn Huestegge

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• The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes

  David Hammerschmidt, Clemens Wöllner

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• Eye movements, attention, and expert knowledge in the observation of Bharatanatyam dance

  Raganya Ponmanadiyil, Matthew Harold Woolhouse

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• A linear oscillator model predicts dynamic temporal attention and pupillary entrainment to rhythmic patterns

  Lauren K. Fink, Brian K. Hurley, Joy J. Geng, Petr Janata

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• Pupillary dilation response reflects surprising moments in music

  Hsin-I Liao, Yoneya Makoto, Makio Kashino, Shigeto Furukawa

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