Art Forms in Crisis: The Role of Songs and Visual Artworks Created in Response to the #EndSARS Protests in Nigeria

Autori

  • Talatu Onkala Adiwu University of Maiduguri

DOI:

https://doi.org/10.36950/sjm.39.2

Parole chiave:

Crisis, Protests, #EndSars, Nigeria, Music, Visual Artworks

Abstract

 This article identifies the place, role and relevance of art during the #EndSARS protests in Nigeria in 2020 and seeks to embark on a critical analysis of selected songs and visual artworks that were created either as a form of solidarity with the movement or as alternative means of expressing the demands of the #EndSARS protesters. The basic assumption here is that conflicts have a broad degree of influence on the overall psyche of a community, leading to significant social changes and global effects. The article looks at the role of art in a variety of crisis situations connected to the #EndSARS protests. Based on several sampling systems, the author selected songs and visual artworks from nationally and internationally notable artists from Nigeria and the diaspora, such as Chike, Dice Ailes, Laolu Senbanjo, and Ayodeji Adegoroye to show how these artists and their work have shaped the socio-political climate of Nigeria and to analyze what psychological and creative impact this art has had on individuals during and after the protests.

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SJM Band 39

Pubblicato

2022-12-29

Come citare

Adiwu, T. O. (2022). Art Forms in Crisis: The Role of Songs and Visual Artworks Created in Response to the #EndSARS Protests in Nigeria. Annuario Svizzero Di Musicologia, 39, 27–45. https://doi.org/10.36950/sjm.39.2