Más allá de la inmediatez de los sentidos: un acercamiento a la obra de Fernanda Melchor

Abstract

Our aim is to consider the first Fernanda Melchor’s publication, in particular Falsa liebre (2013), analysing the sensory saturation that characterises them. Her stylistic expression seems indissolubly linked to the appropiation of journalistic forms. Through transgenericity and intermediality, she also questions the links between fiction, chronicle, photography and movie. 

Keywords: Fernanda Melchor, sensoriality, body, journalism, violence.