I paesaggi sonori di Anna Felder
DOI:
https://doi.org/10.22015/V.RSLR/72.2.9Abstract
This study examines the soundscapes in the works of Anna Felder. It begins with an “acoustic” analysis of Tra dove piove e non piove, a novel in which sounds constitute an integral part of the narrated world and are central to the thematic core, particularly in relation to the sound of the languages spoken by the characters. From this point, the study extends to Felder’s other literary works, including the radio dramas preserved in the RSI archives. Through a formal and semantic analysis that explores the modalities, effects, and meanings of the auditory dimension in these works, this research aims to highlight the ways in which sound is embedded in Anna Felder’s authorial poetics.
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Copyright (c) 2025 Emma Grootveld

This work is licensed under a Creative Commons Attribution 4.0 International License.
