Three colourful tapestries, made by Amine El Bacha and Antoine Saadé in 1984 and 1985, emphasize processes of creating connectivity in wartime Beirut. Their shared project of intermedial imagination and translation adapted Aubusson-style techniques to a modified loom embedded in a longer history of silk weaving in Lebanon. Their slow, creative process not only ensured the medium’s continuance during the war but was also an enlivening force that deepened their artistic affinity and friendship. Forged within an experience of forced displacement, this bond speaks to the entwinement of artistic process and modes of social and ecological connection. Based on personal testimonies and collections, this article reconstructs an intimate art history gleaned from the layered processes of making and remembering, in which picnics in nature, shared meals, and loom building form an integral part of the engagement.
